The difference? I had some training behind me. That had to change!įast forward to three years later and, at the end of my studies, I was ofĬourse much better and more confident at recognizing and adjusting frequencies. I couldn't tell 1kHz from 100Hz if my life depended on it back then.
This did however, apart from sending me flying over the cheap Behringer desk in the Pro Tools studio, make me realize - he had a point. My first intro into audio ear training all started back when my Sound Engineering lecturer back in the first year of college, a giant named Ari who is about 100 times my size, would often jokingly greet me with a smack on my skinny shoulder and a loud 'Hello, Cloth Ears!'. The subtle art of critical listening, a skill fundamental to your long-term success and survival asĪn audio engineer or music producer. Regular audio ear training is one way to initiate yourself into
